What scissors work well for children who are learning to cut?

Friday, December 23rd, 2011

For children who have difficulty diving right in to children’s Fiskars scissors there are several options.

 We highly recommend the Benbow scissors, invented by occupational therapist, Mary Benbow. They are uniquely designed with small finger loops, making them easier for small hands to control. The loops are coated in vinyl to prevent them from slipping off the fingers. Right-handed and left-handed scissors are both available. 

 A cutting kit can be purchased along with the scissors to gradually build up your child’s skills in a developmentally sound sequence.                                                                 

 Mini Loop Scissors, also known as “squizzors” are a good choice for children who seem unsure about where to place their fingers and have difficulty maintaining a mature scissors grasp. The whole hand surrounds the handles, thumbs-up to squeeze as a unit, compared to traditional scissors that require more refined control of the small muscles of the hand. The scissors automatically re-opens upon release of the handle, and require less pressure than traditional scissors. Use squizzors to practice smoothly opening and closing the scissors and develop the eye-hand coordination necessary to cut on the line, without demanding refined control of individual fingers. 

The double loop on the Dual Controlled Training Scissors makes them ideal for a beginner who needs to get the idea of the cutting motion. They are designed to have an adult and child hold them together. The first set of loops is for the adult’s fingers and the back set are for the child. From the front, the adult generates the strength, coordination and control necessary to cut. From the back, the child senses the cutting motion, and can begin to develop the motor plan for cutting, without placing demands   on grasp and fine motor control. 

All 3 scissors and a variety of scissors activity kits are available for purchase at www.therapro.com

Blog by:

Aviva Goldwasser, MA, OTR/L

Dr. Chaye Lamm Warburg, DPS, OTR/L

This entry was posted on Friday, December 23rd, 2011 and is filed under Handwriting & Fine Motor Coordination.

Cutting to perfection

Friday, December 16th, 2011

What is a proper scissors grasp?

 There are several key elements to achieving a proper scissors grasp. First, the hand must be placed in a thumb-up position. The thumb goes in the “top loop” and the middle finger goes in the “bottom loop” and the scissors should rest on the index finger. The fourth and fifth fingers should be tucked into the palm to  provide stability for the hand as it opens and closes.

What activities can be done to help a child maintain that frequently elusive thumbs-up position?

  1. Dropping and catching: With the elbow bent at a 90° angle palm-down, drop a small object, such as a ball or bean bag into the lower hand, which is cupped palm up. Alternate hands. Gradually increase the weight of the object once the skill has been mastered with a light object
  2. Scoop flour, sugar, beans, rice, etc.
  3. Melon baller
  4. Carry a ping pong ball or marble at arm’s length on a long-handled spoon. A first hold the handle close to the bowl of the spoon. Work your way to the end as skill increases.
  5. Carry a tray from the bottom to play house or restaurant.  Position hands palms up, upper arms in contact with trunk, and elbows at a 90° angle
  6. Board games that require turning  pieces over, e.g. Lucky Ducks, Squiggly Worms and Lotto
  7. Slinky: Shift the slinky back and forth between hands, palms up, elbows bent
  8. Bounce a ball on a racket (face up or face down)
  9. Throw a ball underhand
  10.  Lock and key toys

How do you begin to teach children to cut with scissors?

Learning to grasp a pair of scissors correctly requires practice and a good pair of scissors. Children’s Fiskars are great starting scissors. Difficulty maintaining a thumbs-up position is an indication of poor elbow control. Here are some activities to help strengthen elbow control:

  1. First practice cutting on card stock, or plastic coffee stirrers because they are stiff, easier to cut, and require only one snip.
  2. Save all of those annoying subscription cards that fall out of magazines, and pre-cut them into ½” strips. Have your beginning scissors-user cut them into pieces. This is an easy and almost always gratifying activity. If you have an incomplete collection of paying cards, those work equally well.
  3. You can use the straw and card stock snippets to create a collage. Next, have your child cut fringes at the bottom of a piece of card stock.  This should require only one snip per fringe.  
  4. When the hands are working well together, draw some shorter and longer lines on the card stock with a thick black Sharpie or a highlighter and have your child practice stopping at the end of the line. This will begin to place demands on sequential opening and closing, and facilitate awareness of the line, and introduce control.  Finally, ask him/her to cut longer strips lengthwise on cardstock progressing to widthwise on construction paper to practice opening and closing the scissors 4 or 5 times in a row.

See our next blog to learn about different kinds of scissors to boost your child’s cutting skills.

Aviva Goldwasser, OTR/L

Dr. Chaye Lamm Warburg, DPS, OTR/L

12/16/11

This entry was posted on Friday, December 16th, 2011 and is filed under Handwriting & Fine Motor Coordination.

FAQ’S from the POTS Handwriting Without Tears Workshop

Wednesday, March 16th, 2011

On Wednesday evening March 9, 2011, POTS was proud to present an informative, hands-on Handwriting Without Tears workshop to parents and pres-school teachers. We introduced participants to a variety of multisensory materials and educated them on how best to approach teaching children how to write upper and lower case letters and numbers.

 Q: I am a preschool teacher. What activities are best for me to use with the entire class?

A: For 3 year olds, the best activities are those that teach body awareness and sense of body position in space through physical activity and hands on experiences. Mat Man is a great circle time activity that we demonstrated during the workshop to facilitate the development of a strong sense of one’s body parts and their relationship to each other. It also introduces children to the Big Line, Little Line, Big Curve and Little Curve that are the foundations of all capital letter formation. Simon Says is also a great way for 3 and 4 year olds to learn positions such as up, down, in front of, behind, etc. Building strong foundational skills at these young ages will facilitate successful writing later on.

Q: Why are the letters not taught in alphabetical order? 

A: The alphabet consists of 26 letters that are not all similar in appearance. For example, A is made up of two diagonal lines and a small line across while B is composed of a big line and two small curves. Developmentally, children do not learn diagonals and curves at the same time. Handwriting without Tears is a “kinesthetic” method teaches letters in a developmentally appropriate sequence and groups together letters that are formed similarly. A significant amount of time should be spent teaching the first letter in each letter group to establish a strong motor pattern. Once the child has a “feel” for the letter and the way it is formed, it will be much easier and faster for him/her to learn the subsequent letters in the group. For example, once C is well established, it is simple to learn letters such as O and Q. 

Q: I already use a lot of multisensory materials in my classroom- what makes Handwriting Without Tears a “multisensory” approach to writing? 

A: Using a variety of materials such as Play-Doh, foam, sand, etc. enables young children to explore their sense of touch. However, a writing program becomes multisensory writing when the approach to letter formation is targeted using a rich variety of sensory activities. The key is to ensure that each time the child forms a letter – in pudding or with a pencil- the approach is top-to-bottom and left-to-right and in the correct sequence. The goal is to facilitate purposeful letter formation by using multisensory materials to create a fun, effective way to learn.

For those of you who attended, we hope you enjoyed the workshop as much as we did, and we look forward to seeing you again at POTS.

 Blog written by: Aviva Goldwasser, MS, OTR/L & Dr. Chaye Lamm Warburg, DPS, OTR/L, Director of POTS

This entry was posted on Wednesday, March 16th, 2011 and is filed under Handwriting & Fine Motor Coordination, Parenting.

FAQ’S from the Tips, Grips & Kits for Handwriting Workshop

Tuesday, February 15th, 2011

On the evening of Wednesday February 9, 2011, POTS hosted an interactive evening that was both fun-filled and informative. Parents and teachers joined us to learn how to get children’s hands ready for writing and drawing with innovative and exciting activities from our toolbox and manual. Using a variety of creative multisensory activities, parents and teachers were instructed how to choose and utilize appropriate tools and materials to keep children enthusiastic about writing.

 Q: Is it ok for my child to use markers, or should I only offer crayons?

           A: All writing implements have their place. Crayons are great for helping children learn to modulate pressure appropriately. Children get more feedback from pushing on a crayon than a marker, which in turn helps them learn how much force to exert. Markers are particularly effective for children who apply so little pressure on the crayon that their work can barely be seen. When they use a marker, they get the satisfying result of vividly seeing the fruits of their labor, which keeps them motivated. Keep drawing and coloring activities fun and gratifying so children keep coming back for more.

 Q: My child generally does drawing/writing activities at the dining room table, but the chairs do not appear to fit him well, he moves around a lot and his feet dangle. What other options are there?

           A: It is extremely important for children to be seated properly at a table, particularly when doing fine motor activities, drawing, and writing. Poor posture limits the ability of the hands to do their best work and automatically places the child at a disadvantage. One option is to tailor your existing chairs to better suit your child’s size by placing a phone book or shoebox under his feet so that his hips, knees, and ankles are at a 90 degree angle. Alternatively, turn the entire chair around and allow your child to kneel at the table. Alternatively, the Tripp Trapp chair (www.stokke.com) is an ideal seating option for children. The seat and foot rest are both adjustable, making it an excellent choice for your growing child.

Q: My 5 year old child uses a fisted grasp when coloring/writing. When I place her hand on the crayon properly, she complains of pain. Why?

           A: By the time children are 4½ years old, they are expected to have a mature dynamic tripod grasp. In order to achieve that grasp, the small muscles within the hand must be strong and well developed. When a 5 year old child is consistently holds a writing implement with a fisted grasp and cannot sustain a tripod grasp, it indicates that there is weakness in the hands.

Q: Now that I have all these great games and activities to use with my child, how do I know how many repetitions of an activity I should do?

           A: Look for quality instead quantity. The goal is to improve your child’s performance by solidifying good habits. Practice an exercise 3 times with your child doing it properly with excellent posture and positioning rather than 10 times reinforcing a pattern that is less than ideal. Once you have achieved good quality, gradually increase the time/repetitions over which it can be maintained.

 Blog written by: Aviva Goldwasser, MS, OTR/L                       Chaye Lamm Warburg, DPS, OTR, Director of POTS

This entry was posted on Tuesday, February 15th, 2011 and is filed under Handwriting & Fine Motor Coordination.

Handwriting Without Tears: The Workshop

Wednesday, November 18th, 2009

On Tuesday November 3rd, POTS was invited to present a workshop on Handwriting Without Tears (HWT) to the Pre-k teachers at Lubavitch on the Palisades. The teachers were eager and excited to learn about the program. Topics covered included how to use the teacher’s manual and the students’ workbook, the importance of sequence, pencil grasp, as well as how to use a plethora of multi-sensory tools. Numerous activities were presented to teach and reinforce the skills in the classroom. Throughout the dynamic and interactive presentation the teachers enjoyed trying out all the activities and asked many astute questions. Below are the answers to some of those questions!

Q. Do we need to follow the workbook?

A. The workbook is not the most critical element of HWT. Some schools do not use workbooks in Pre-K at all. The workbooks provide additional activities that reinforce proper letter formation and sizing and help make the transition from multi-media to paper. The workbook organizes the letters into groups that follow the HWT sequence and have many additional visual cues that facilitate letter formation. For example, on the L page, there is a picture of a lizard that is facing right because letters and words are written left to right.

Q. Can we use HWT along with a letter of the week?

A. When designing your curriculum, the letters of the week should follow the order of the HWT program. There are 5 groups of capital letters based on how the letter is formed.  Within each group of letters there is some freedom to change the order, but it is important that the motor pattern for the first letter be over-learned to reinforce the formation of subsequent letters in the group. For example, when working on the group that begins with the letter C, the students should over-learn the letter C, they may then skip the letter O and work on the letter G.

Q. Should we follow the letter groups using capital or lowercase letters?

A. As mentioned above, it is important to teach the letter groups in the sequence designated by HWT. Writing instruction should begin with capital letters. Once children have mastered the correct letter formation for capital letters the lower case letters will be easier to learn. Learning capitals first and writing them within a defined space (i.e. a box) will eliminate most letter reversals.   There is a different sequence for lower case letters based on their letter formation.

Q. Can we teach more than one letter a week?

A. If your students are able to write a new letter by mid week, it is fine to move onto the next letter. It would also be beneficial to spend the last day or two of the week reviewing past letters before moving on to a completely new letter or letter group.

Q. What are of the best tools that support the HWT program?

  • Wooden pieces that are used to create 24 letters called: Big Line, Little Line, Big Curve, and Little Curve. By rehearsing the names of the pieces and the sequence they are used in letter formation (i.e. start at the top) the students will be familiar with the letters when they begin writing with a pencil or crayon.
  • Similar pieces come with “Stamp and See Screen”, which is a small Magna Doodle.
  • Wet-Dry-Try reinforces letter formation within the boundaries of a wooden framed chalk board. First the child uses a small piece of wet sponge to erase a letter written on the black board while repeating the directions for letter formation out loud.  For example, for ‘F’; Big Line down, jump back to the top, Little Line across the top, Little Line across the middle. Using a tiny piece of paper towel they trace the letter F to “dry” it, again using the verbal cues, and finally they write the letter F in the shadow with a tiny piece of chalk.
  • Play-Doh is used to create letters on letter cards that fit into a framed board. Again the names of the lines and curves, and the sequence in which they are placed are reinforced.
  • Two CD’s are filled with songs and poems to teach body awareness, reinforce the names of the lines and curves, directionality, where the letters begin, and other key concepts.

Q. Can HWT be used to teach Hebrew writing?

A. HWT has created workbooks to teach handwriting in languages other than English. The Hebrew workbook is for children who are ready to write Hebrew script. The workbook is similarly organized to the English HWT with large script models with the familiar letter. The lessons are planned according to letter formation and complexity, and are a step by step multi-sensory approach.

Q. How long should a lesson last?

A. A typical lesson should last no more than 10 minutes. The lesson can be reviewed again later that day.

Q.  Should HWT be a total class activity or should it take place at Centers?

A. The multi sensory activities can be done during circle time or center time, depending on the complexity of the lesson.

Q. How many multi sensory activities should be used in a lesson?

A. The Teacher’s Guide offers a number of lesson plans and suggested guidelines for using the activities. Each letter page in the workbook has a corresponding page in the Teacher’s Guide with six steps to teaching the letter. Simpler letters usually require 1 or 2 multi sensory activities while more difficult letters such as ‘S’  benefit from  reinforcement using every available activity. By using the Teacher’s Guide in the beginning, the teacher will be exposed to all of the possibilities and can decide which multi-sensory activities best suit her style and her students’ needs, and proceed accordingly.

To find out more information about the Handwriting without Tears program feel free to contact POTS or refer to the HWT website http://www.hwtears.com/.

Dena Rosenberg OT/S,

Aviva Goldwasser MS OTR,

Chaye Lamm Warburg, MA, OTR Director

This entry was posted on Wednesday, November 18th, 2009 and is filed under Handwriting & Fine Motor Coordination.

Tips, Grips, and Kits for Handwriting

Wednesday, November 4th, 2009

Tips, Grips, and Kits for Handwriting:

Your Questions Answered

On Monday October 27th POTS hosted an exciting and dynamic handwriting workshop focusing on readying children’s hands for writing, for pre-k through first grade. Both parents and teachers attended and everyone received a toolbox filled with materials and activities for writing and drawing, as well as a 26 page manual chock full of ideas. Topics covered included preparing the body for writing, proper sitting position, trunk control, building a dynamic tripod grasp, and upper body and hand strengthening. Within each topic numerous activities were presented to teach and reinforce the skills at home and in the classroom. The participants interacted throughout the workshop and enjoyed trying out all of the activities, especially the edible ones! Teachers and parents left excited to work on handwriting with their children. One teacher stated that her class was going to be able to write by Friday!

As promised, below are answers to some great questions asked at the workshop.

•Q. By what age should my child have a mature dynamic tripod grasp?

  • A. By 4½ years of age children should be writing with their elbows down and their fingers consistently holding a crayon with the thumb and index finger, and resting on the third finger. The “helper hand” should actively hold the paper down.

•Q. Are thinner or fatter writing utensils better?

•Q. How important is coloring in the lines?

  • A. Coloring in the lines teaches children about working within spatial boundaries, which will be important when learning to size and space letters, and write them on the line. It facilitates a sustained grasp on the crayon and helps children learn to regulate pressure. If a child exerts such light pressure on the crayon that his markings are barely visible, allow him to use a magic marker at times. Markers require less pressure and will provide the child with the motivating visual feedback that he needs to encourage him to draw and write.

•Q. What do I do if my child does not like writing or coloring?

  • A. There are many different writing utensils that your child may enjoy using more than the usual crayon or pencil, such as a Ferby pencil (http://www.mylittleducks.com/lyraferby12.html) or chalk. You can create a “writing surface” out of pudding, peanut butter, or cake icing. You can also use sand, or Funny Foam (http://www.amazon.com/gp/product/B000VJW5MG). You and your child can take turns drawing a person or making a holiday toy wish list. When using different types of tools, switch off in order to keep your child engaged to enable him to refresh his grasp and guard against fatigue. In school and at home, keep handwriting practice brief, no more than 10 minutes at a stretch, and warm up the hands and body first.

•Q. Are erasers good or bad?

  • A. Erasers are not beneficial for a child when learning to write, because he or she may get caught up in the error and waste energy erasing with excess pressure. Early on it is preferable to cross out and move on.

•Q. Are fine motor skills and writing skills the same?

  • A. Having good fine motor skills is a prerequisite for learning to write neatly and efficiently, but there are many other underlying skills that are needed to ensure good writing skills such as a strong core, good sitting posture, muscle tone, eye-hand coordination and sustained attention.

•Q. Is there a certain order in which children should learn to write their letters?

  • A. Capital letters should be taught first, as they are all the same size, start in the same place, and have the same position relative to the “writing line”. Lower case letters are to complex for beginning writers. They come in 3 different sizes; they start at 4 different spots and have 3 different positions relative to the writing line. Letters should be learned in groups based on how they are formed, such as turning an F into an E. At POTS we find that many children benefit from the Handwriting without Tears method for print and cursive, and Loops and Other Groups (Benbow) to for cursive.

•Q. Does writing go hand in hand with reading?

  • A. A child may begin to form letters before mastering the intricacies of reading, but children learn different skills at different rates. Children need to recognize letters prior to reading, and learning to write individual letters will help the process along. While best practice in the educational literature dictates that reading and writing go hand in hand, the integrated programs that are currently available do not take into account a developmentally appropriate sequence for learning to write. Writing can be a great opportunity to work on beginning letter recognition and sound-symbol association. You can bring these skills into your child’s everyday life by sounding out the letters as you write them, writing the first letter in a name or familiar word, and playing word games.

•Q. Is it okay to use both hands for writing if a child does not have a preference?

  • A. Absolutely not! If a child begins writing with one hand and switches to the other, reinforce the use of the stronger hand. Figuring out which hand is stronger or more dexterous may require the help of an occupational therapist, because this is an important far-reaching decision, and should be made based on an examination of hand use and underlying skills. Some children pride themselves on being able to use both hands. While this is an asset for switch-hitting in baseball, it is deleterious for writing. Develop one dominant hand for writing, eating, and brushing teeth and use the other as a “helper hand”. Switching hands may reflect difficulty crossing midline of the body which has implications for inefficient handwriting, fine motor and gross motor skills.

•Q. When should I contact an Occupational Therapist regarding my child’s handwriting?

  • A. While all kids develop at their own pace, there are certain milestones to be mindful of. At 2 years old a child will have both hands up in the air and randomly scribble while fisting the crayon. At 3 years old she will start drawing a circle and a cross, and the “helping hand” starts to come down. The grasp may be fisted, but it is shifting to the thumb side of the hand. At 4 years old, the child will hold down the paper with her “helper hand” and the elbow will come down. The pencil is firmly in the thumb side of the hand. By 4 ½ – 5 years old, as mentioned above, the child should hold the pencil with 3 fingers only, while holding the paper down deliberately with the “helper hand”. Children who slouch over their desks, hold the crayon or pencil incorrectly, and labor over an activity that should be fun, should be evaluated by an occupational therapist in order to assess the potential impact on their schooling. For better or for worse, children will be judged on their handwriting; therefore it is important to ensure that your child has the underlying strength and dexterity to produce neat, efficient, and legible handwriting.

Blog by: Dena Abrams, OT/S

Aviva Goldwasser, MS, OTR

Chaye Lamm Warburg, MA, OTR, Director

This entry was posted on Wednesday, November 4th, 2009 and is filed under Handwriting & Fine Motor Coordination.

TIPS, GRIPS, AND KITS FOR HANDWRITING

Friday, October 9th, 2009

HANDWRITING WORKSHOP AT POTS

OCTOBER 26, 2009

7:00-9:00 p.m.

POTS is proud to present a 2 hour hands-on workshop for parents and teachers of preschoolers, kindergartners, and first graders. Learn how to get your child’s hands ready for writing and drawing with fun and exciting activities. Each participant will receive a toolbox and booklet with all the materials and activities to work with your child.

The TIPS, GRIPS, AND KITS workshop has been well received at parent in-services in schools, teacher workshops, and at POTS.  It is ideally suited for parents and teachers of typically developing children and those who are having difficulty with fine motor coordination, grip, and pre-writing activities. We will share ideas for writing readiness including sitting posture, hand strength, crayon and pencil grasp, scissor skills, and much more. Through our experience and expertise in this area we have developed the TIPS, GRIPS, AND KITS program to develop strong foundational skills, build underlying strength, improve your child’s fine motor skills, and support proper handwriting techniques. We use creative multisensory activities that will be new and exciting to your child. With the right handwriting tools, your child will be enthusiastic about writing. Our toolbox is a total fine motor/handwriting workout ready to use as soon as you get back home or into your classroom.

What topics will be covered?

How to build underlying strength to support good handwriting

Activities and games for skill development

General principles for handwriting practice

Fun ways to practice writing letters

Where?

Pediatric Occupational Therapy Services
1415 Queen Anne Road
Teaneck, NJ 07631

RSVP

201-837-9993

Carol@potsot.com
For more information on fine motor skills and handwriting, visit our website, www.potsot.com. See our previous blogs for fine motor ideas you can try at home or in your classroom.

We look forward to seeing you!

This entry was posted on Friday, October 9th, 2009 and is filed under Handwriting & Fine Motor Coordination.

GETTING READY TO WRITE

Tuesday, September 29th, 2009

Pre-schoolers can often identify their letters and attempt to form them before their small hands are ready to control a pencil and paper- and they should not be expected to. Listed below are several activities for practicing how to form letters without having to place a writing tool into your child’s hands.

  • Flashlight: In a dark room, “draw” a letter on the wall or ceiling using a flashlight. Demonstrate drawing a letter and have your child imitate it.
  • Wikki stix (www.wikkistix.com): Use wikki stix to form a letter. Creating the letter by its components (for example, a “D” is made by making a big line and a big curve) is a great way to practice letter formation, without placing demands on immature fine motor skills.
  • Air writing: Standing in front of your child, demonstrate writing a letter in the air. Have your child stand beside you or behind you to imitate the same letter.
  • Rainbow writing: On a chalkboard, whiteboard, or large piece of paper, write a letter. Have your child trace over your letter using many colors for repeated practice.
  • Funny Foam (www.amazon.com): Spray Funny Foam on the wall of the bathtub or on a bumpy cutting board and write a letter. Have your child trace over your letters in the foam soap.
  • Pretzel stick: Use a small piece of a fat pretzel rod as a “pencil” and “write” letters on a plate covered in pudding, applesauce, marshmallow fluff, or peanut butter.
  • Sand box: Create your own homemade sand box using a shoe box. Using a stick or finger, have your child trace letters.
  • Wet-dry-try: This is a technique from the Handwriting Without Tears program. Write a letter on a chalkboard. Have your child dip a tiny piece of a sponge into a small amount of water and use the sponge to erase the letter by tracing over it. Then he should trace over the wet shadow with his finger.  Next, he should “dry” the letter using a tiny piece of paper towel. Last, he should trace over the shadow of the letter using a tiny piece of chalk.

September 18, 2009

Blog written by: Aviva Goldwasser, MS, OTR

& Chaye Lamm-Warburg, MA, OTR, Director POTS

This entry was posted on Tuesday, September 29th, 2009 and is filed under Handwriting & Fine Motor Coordination.

Getting Ready to Write

Tuesday, September 29th, 2009

Pre-schoolers can often identify their letters and attempt to form them before their small hands are ready to control a pencil and paper- and they should not be expected to. Listed below are several activities for practicing how to form letters without having to place a writing tool into your child’s hands.

  • Flashlight: In a dark room, “draw” a letter on the wall or ceiling using a flashlight. Demonstrate drawing a letter and have your child imitate it.
  • Wikki stix (www.wikkistix.com): Use wikki stix to form a letter. Creating the letter by its components (for example, a “D” is made by making a big line and a big curve) is a great way to practice letter formation, without placing demands on immature fine motor skills.
  • Air writing: Standing in front of your child, demonstrate writing a letter in the air. Have your child stand beside you or behind you to imitate the same letter.
  • Rainbow writing: On a chalkboard, whiteboard, or large piece of paper, write a letter. Have your child trace over your letter using many colors for repeated practice.
  • Funny Foam (www.amazon.com): Spray Funny Foam on the wall of the bathtub or on a bumpy cutting board and write a letter. Have your child trace over your letters in the foam soap.
  • Pretzel stick: Use a small piece of a fat pretzel rod as a “pencil” and “write” letters on a plate covered in pudding, applesauce, marshmallow fluff, or peanut butter.
  • Sand box: Create your own homemade sand box using a shoe box. Using a stick or finger, have your child trace letters.
  • Wet-dry-try: This is a technique from the Handwriting Without Tears program. Write a letter on a chalkboard. Have your child dip a tiny piece of a sponge into a small amount of water and use the sponge to erase the letter by tracing over it. Then he should trace over the wet shadow with his finger.  Next, he should “dry” the letter using a tiny piece of paper towel. Last, he should trace over the shadow of the letter using a tiny piece of chalk.

September 18, 2009

Blog written by: Aviva Goldwasser, MS, OTR

& Chaye Lamm-Warburg, MA, OTR, Director POTS

This entry was posted on Tuesday, September 29th, 2009 and is filed under Handwriting & Fine Motor Coordination.

HANDWRITING STILL COUNTS

Monday, August 24th, 2009

In the era of ever-advancing technology and computers, it may seem as though handwriting can take a back seat. On the contrary, computer skills and keyboarding- while important- do not replace the need for handwriting entirely. Writing remains a critical form of portable communication for note taking, test taking, completion of classroom work and homework, and as prerequisite job skill. When applying to high school, many students are required to fill in an application or write an essay and short answers while waiting for their interview. Additionally, students are required to write on the new writing section of the SAT and on several SAT II’s. For better or worse, written work continues to be used as a barometer of intelligence.

Poor handwriting can have a wide-spread effect on academic performance. When writing does not come automatically, naturally, and fluidly, it takes extra time and effort to think about forming each letter and word. That time and mental energy would be better spent focusing on the content of the work. Children who struggle with the underlying components of handwriting are often less motivated to write since it is so effortful and time-consuming. They may choose to write answers to questions and essays that are shorter and lack adequate content simply to avoid extra writing. This is one way in which academic performance is affected by handwriting.

Furthermore, writing is an important foundational skill for reading and spelling. As children learn letter formation, they often learn its basic sound. Research shows that without the automatic recall of letters that is established during writing, spelling and reading may be compromised.

Neat handwriting is also essential for building a child’s confidence in school. For this reason it is critical that good habits are taught explicitly and are not expected to just “come around”. Direct handwriting instruction at an early age in a developmentally appropriate manner is most beneficial because it is difficult to re-teach proper habits in older children who are already set in their ways.

POTS is proud to present a Tips, Grips, and Kits for Handwriting workshop for parents of pre-schoolers, kindergartners, and first graders. Parents will receive a toolbox and booklet with all the materials needed to work with your child at home. Join us for one of two dates, Tuesday September 22, 2009 or Tuesday September 29, 2009.

Blog written by: Aviva Goldwasser, MS, OTR &

Chaye Lamm-Warburg, MA, OTR, Director POTS

This entry was posted on Monday, August 24th, 2009 and is filed under Handwriting & Fine Motor Coordination.